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The mini-humbucker resembles a Gibson PAF humbucker, but is narrower in size and senses a shorter length of string vibration. [1] This produces clearer, brighter tones that are quite unlike typical Gibson sounds. [2] It fits in between single-coils and full-sized humbuckers in the tonal spectrum.
Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference. [3] Engineer and Gibson employee Seth Lover had developed a hum-canceling circuit for amplifier power supplies and suspected ...
In the 1950s, Gibson also produced the Tune-o-matic bridge system and its version of the humbucking pickup, the PAF ("Patent Applied For"), first released in 1957 and still sought after for its sound. [citation needed] In 1958, Gibson produced two new designs: the eccentrically shaped Explorer and Flying V. These "modernistic" guitars did not ...
This new pickup, occasionally named PAF (or Patent Applied For), very quickly took over as the preferred choice for all Gibson models, relegating the P-90 to budget models such as the ES-330, the Les Paul Junior and Special, and the SG Junior and Special, such as those used by Pete Townshend and Carlos Santana for their brighter, rawer, sound ...
Rickenbacker offered dual coil pickups arranged in a humbucking pattern beginning in late 1953 but dropped the design in 1954 due to the perceived distorted sound, which had stronger mid-range presence. The Gibson Les Paul was the first guitar to use humbuckers in large-scale production.
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Transmission loss (TL) in duct acoustics describes the acoustic performances of a muffler-like system.It is frequently used in the industry areas such as muffler manufacturers and NVH (noise, vibration and harshness) department of automobile manufacturers, and in academic studies.
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