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Hindi: Basant (raga) Basant Hai Aayaa Rangeela Stree (1961 film) C. Ramchandra: Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Ketaki Gulab Juhi Champaka Bana Phule Basant Bahar (film) Shankar–Jaikishan: Bhimsen Joshi: Hindi: Basant (raga) (Blend of Shuddha Vasant, Vasant, Shivranjani) Idhayam Kochadaiiyaan: A. R. Rahman: Chinmayi ...
Bageshri is a very melodic raga in Carnatic music. [4] So, even though this scale has been used only in a few krithis (compositions), many devaranamas, ashtapadis, thiruppugazhs, and other lyrics have been set to tune in this raga.
Another composition in this raaga is the song Bombe Aatavaiyya from the Rajkumar starrer Kannada movie Shruthi Seridaaga. Arguably the best rendition of Charukesi in a Hindi movie is Baiyya Na Dharo sung by Lata Mangeshkar and composed by Madan Mohan from the movie Dastak. Charukesi is also popular in Hindustani music.
The Tamil and Hindi versions of the album sold over 3 million units in India, with the Tamil version selling over 200,000 units [2] and the Hindi version selling 2.8 million units. [3] The Hindi version of the album earned ₹ 7.5 crore (equivalent to ₹ 58 crore or US$6.9 million in 2023) in sales. [4]
The popular Kannada song 'Arādhisuve madanāri', from the movie Babhruvahana (1977) and sung by Dr. Rajkumar, is in typical Kharaharapriya. A popular Tamil film composer M.S.Viswanathan used this raga brilliantly in many of his songs such as "Maharajan Ullagai" from Karnan, "Maadhavi Ponmayilal" in the movie Iru malargal.
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.
It is a sprightly raga often described as Bhimpalasi sans the notes, Dha and Re. It however has its own distinct character. Dhani is frequently heard in popular music. [1] This raga is also known as the romantic version of Raag Malkauns. It is similar to Malkauns, except that in the Aaroh and Avroh, Komal Dha is replaced by Pa in this raga [2]
Kāpi is a popular rāga in Carnatic music, the classical music of South India. [1] Kāpi is a janya rāgam of Kharaharapriya with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners.