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According to Jacquelyn N. Coutré, associate curator of paintings and sculptures of Europe at the Art Institute of Chicago, after The Van Gogh Museum in Amsterdam acquired Ponton de la Félicité by Signac in 2016, which was the work that inspired van Gogh to venture to the suburbs to paint, The Van Gogh Museum was prompted to create an exhibit ...
Van Gogh's dealing in ukiyo-e prints brought him into contact with Siegfried Bing, who was prominent in the introduction of Japanese art to the West and later in the development of Art Nouveau. [11] Van Gogh developed an idealised conception of the Japanese artist which led him to the Yellow House at Arles and his attempt to form a utopian art ...
The IMAX film Van Gogh, een kleurrijk portret (Van Gogh, a colorful portrait) was released 1989, the same year the film Vincent van Gogh, een zaaier in Etten (Vincent van Gogh, a sower in Etten) came into circulation, the director was Vincent Oudendijk. Japanese filmmaker Akira Kurosawa paid homage to Van Gogh in the 1990 film Dreams.
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Van Gogh researcher and art historian Bernadette Murphy discovered the true identity of the woman named Gabrielle Berlatier, [157] who died in Arles at the age of 80 in 1952, and whose descendants still lived (as of 2020) just outside Arles. Gabrielle, known in her youth as "Gaby," was a 17-year-old cleaning girl at the brothel and other local ...
Van Gogh may have been inspired by the description of Jean-François Millet's biographer, Alfred Sensier of Potato Planting: "one of his [Millet's] most beautiful works" of a married couple "on a wide plain, at the edge of which is a village is lost in the luminous atmosphere; the man opens the ground and the woman drops in the seed potato."
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