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Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism . As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music .
Postmodern influence extends across all areas of music; its accessibility to a general audience requires an understanding of references, irony, and pastiche that varies widely between artists and their works. [113] In popular music, Madonna, David Bowie, and Talking Heads have been singled out by critics and scholars as postmodern icons.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
It has been suggested that the term "postmodernism" is a mere buzzword that means nothing. For example, Dick Hebdige, in Hiding in the Light, writes: When it becomes possible for a people to describe as 'postmodern' the décor of a room, the design of a building, the diegesis of a film, the construction of a record, or a 'scratch' video, a television commercial, or an arts documentary, or the ...
During the 2010s and the early 2020s, a new interest for Postmodern architecture and design appeared. One of the causes were memorial exhibitions that presented the style, the most comprehensive and influential one being held at the Victoria & Albert Museum in London in 2011, called Postmodernism: Style and Subversion 1970–1990 .
Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. [3] Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective.
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
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