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The Baptism of Christ (Piero della Francesca) R. Baptism of Christ (Ribera) S. Saint John Altarpiece (van der Weyden) V. The Baptism of Christ (Verrocchio and Leonardo)
The Baptism of Christ is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London.
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
The Baptism of Christ is an oil on oak wood painting executed c. 1515 by the Flemish Renaissance painter Joachim Patinir, which is now in the collection of the Kunsthistoriches Museum in Vienna. [1] The work depicts the baptism of Christ in the River Jordan by Saint John the Baptist, as described in Matthew 3:13–17. Matthew relates how John ...
Titian painted the Baptism of Christ at the end of his Giorgionesque period, about 1510 to 1512. [4] Though the picture is described by Marc Antonio Michiel (the Anonimo Morelliano), who saw it, in 1531, in the house of Giovanni Ram (Messer Zuan Ram), the donor of it, it is not accepted by Crowe and Cavalcaselle, but ascribed to Paris Bordone.
The artist is considered among the most important among the Pennsylvania Germans, and much has been gleaned from the drawings which he, or she, left behind. Texts included in the artist's pieces are the same as those used in European Goettlebriefe, which are souvenirs of baptism given to the child by its sponsors. The imagery of the pictures is ...
The Baptism of Christ or the Jan des Trompes Triptych is an altarpiece painted between 1502 and 1508 by the Flemish painter Gerard David. It is now in the Groeningemuseum in Bruges , Belgium. Description
The fresco of the Baptism of Christ is the first on the wall on the right of the altar, and parallels Moses Leaving to Egypt and the Circumcision of Elezier facing it on the opposite wall, also by Perugino's workshop. The baptism was in fact considered by Augustine and other early Christian writers as a kind of "spiritual circumcision".
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