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Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art.
Jacob Isaackszoon van Ruisdael (Dutch pronunciation: [ˈjaːkɔp fɑn ˈrœyzdaːl] ⓘ; c. 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher.He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
Aelbert Cuyp, The Avenue at Meerdervoort, 1650–1652, Wallace Collection. Meindert Hobbema (1638–1709) was a pupil of Jacob van Ruisdael, the pre-eminent landscape painter of the Dutch Golden Age, and in his mature period produced paintings developing one aspect of his master's more varied output, showing very different scenes from this painting.
Dutch Golden Age painting followed many of the tendencies that dominated Baroque art in other parts of Europe, such as Caravaggism and naturalism, but was the leader in developing the subjects of still life, landscape, and genre painting.
The Avenue at Middelharnis by Meindert Hobbema. Oil on canvas, 104 × 141 cm. 1689. National Gallery, London.. Meindert Lubbertszoon Hobbema (bapt. 31 October 1638 – 7 December 1709) was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis (1689, National Gallery, London), shows a different type of scene.
Jan Josephszoon van Goyen (Dutch pronunciation: [ˈjɑɱ vɑŋ ˈɣoːi.ə(n)]; 13 January 1596 – 27 April 1656) was a Dutch landscape painter.The scope of his landscape subjects was very broad as he painted forest landscapes, marine paintings, river landscapes, beach scenes, winter landscapes, cityscapes, architectural views and landscapes with peasants. [1]
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