Search results
Results from the WOW.Com Content Network
Drake has achieved thirteen number-one albums on the Billboard 200. [2] Billboard (Drake and Billboard are both part of UMG) hailed him as the "Artist of the 2010s Decade" [3] and the 16th Greatest Artist of all time. [2] RIAA ranks him as the best top-selling digital artist of all time with 244 million in the United States. [4]
Her Loss earned a total of 513.56 million on-demand streams. The album is Drake's twelfth and 21 Savage's third number-one album in the US. [57] All 16 tracks debuted on the Billboard Hot 100, with eight of them appearing in the top-10. [58] The following week, Her Loss descended to number two, earning 170,000 album-equivalent units. [59]
Billboard hailed him as the "Artist of the 2010s Decade" [3] and the 16th Greatest Artist of all time. [2] RIAA ranks him as the best top-selling digital artist of all time with 244 million in the United States. [4] He has the most number one singles on both the US Hot Rap Songs chart (with thirty) and the US Hot R&B/Hip-Hop Songs chart (also ...
Drake and 21 Savage’s collaboration album “Her Loss” debuted at No. 1 on the Billboard 200 chart. The duo released The post Drake, 21 Savage album ‘Her Loss’ debuts at No. 1 on Billboard ...
"Pussy & Millions" is a song by Canadian rapper Drake and Atlanta-based rapper 21 Savage featuring American rapper Travis Scott. Produced by Cheeze Beatz, Go Grizzly, Squat Beats, B100, and Lil Yachty, it was released as the tenth track from the two lead artists' collaborative studio album, Her Loss, on November 4, 2022.
Drake Releases Three New Songs Including ‘SOD,’ ‘Circadian Rhythm’ and ‘No Face’ Featuring Playboi Carti Steven J. Horowitz August 23, 2024 at 7:05 PM
Drake has appeared to open his archives with the release of a massive folder consisting of 100 gigabytes of footage from studio sessions, audio clips and three new songs. The files were released ...
In a review of Her Loss, Vernon Ayiku of Exclaim! regarded it as one of the "unnecessary and actively damaging" tracks "that could have been left on the cutting room floor." [ 2 ] Paul A. Thompson of Pitchfork wrote, "Still, tucked between the sameness are pockets of strangeness—like the drawn-out instrumental ending to 'Jumbotron Shit Poppin ...