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Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works , it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-)deceptions.
Betrayal is a 1983 British drama film adaptation of Harold Pinter's 1978 play. With a semi-autobiographical screenplay by Pinter, the film was produced by Sam Spiegel and directed by David Jones . It was critically well received.
Harold Pinter (/ ˈ p ɪ n t ər /; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor.A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years.
Tom Hiddleston, Charlie Cox, and Zawe Ashton, the stars of Broadway's "Betrayal," loves experimenting with the absurdist writing of Harold Pinter.
Tom and Zawe participate in a charity gala celebrating the work of playwright Harold Pinter that takes place in London, England. ... an offer to be a part of the revival of Pinter's play Betrayal ...
Harold Pinter's reading of a selection of his prose fiction and poems, 92nd Street Y New York City, 12 November 1964 – Hyperlinked in "92Y Podcast: Remembering Harold Pinter, British Playwright", 25 December 2008 (MP3; 65:41); includes: "Tea Party / New Year in the Midlands / A Glass at Midnight / You in the Night / The Drama in April / The ...
Exactly two months to the day they closed their acclaimed run in London, the cast of Harold Pinter’s “Betrayal” is stepping into the Bernard B. Jacobs Theatre on Broadway for the first look ...
The Room is Harold Pinter's first play, written and first produced in 1957. Considered by critics the earliest example of Pinter's "comedy of menace", this play has strong similarities to Pinter's second play, The Birthday Party, including features considered hallmarks of Pinter's early work and of the so-called Pinteresque: dialogue that is comically familiar and yet disturbingly unfamiliar ...