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The Elgin Marbles (/ ˈ ɛ l ɡ ɪ n / ELG-in) [1] [2] are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London.
The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.
The Venus de' Medici or Medici Venus is a 1.53 m (5 ft 0 in) tall Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite.It is a 1st-century BC marble copy, perhaps made in Athens, of a bronze original Greek sculpture, following the type of the Aphrodite of Knidos, [1] which would have been made by a sculptor in the immediate Praxitelean tradition, perhaps at the end of the ...
The statue of Laocoön and His Sons, also called the Laocoön Group (Italian: Gruppo del Laocoonte), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, [2] where it remains today.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical (480 ...
The Heracles of Antikythera (Greek: Ηρακλής των Αντικυθήρων) is a large ancient Greek marble sculpture of the Greek hero Heracles, found in the wreck of Antikythera among several other findings, and now housed in the National Archaeological Museum of Athens. [1]
The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.
Today the formal patterns of classical Greek sculpture, its humanism and emphasis on the nude have found a new way to impress society, influencing the conception of beauty and practices regarding the body, resurrecting a cultivation of the physical that was born with the Greeks and influences various customs related to sexuality and the concept ...
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