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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
Byzantine Empire. The Byzantine Empire, also referred to as the Eastern Roman Empire, was the continuation of the Roman Empire centered in Constantinople during Late Antiquity and the Middle Ages. The eastern half of the Empire survived the conditions that caused the fall of the West in the 5th century AD, and continued to exist until the fall ...
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
Greek, Ancient Greek. Latin. Byzantine. Byzantium ( / bɪˈzæntiəm, - ʃəm /) or Byzantion ( Ancient Greek: Βυζάντιον) was an ancient Thracian settlement and later a Greek city in classical antiquity that became known as Constantinople in late antiquity and which is known as Istanbul today.
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The conjoined representation of a crescent ...
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might ...