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The band continued to tour in support of Hate Über Alles throughout 2024, including touring Japan in January–February with In Flames, [9] co-headlining a North American tour with Testament in September–October (with Possessed as the opening act), [77] and co-headlining a European trek in November–December with Anthrax and support from ...
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Year Album details Peak chart positions GER [1]BEL (WA) [3]FRA [6]2003 Live Kreation. Released: 22 July 2003; Label: Steamhammer; Formats: CD, LP; 59 – – 2013
Renewal is the sixth album by German thrash metal band Kreator, released in 1992. It's their first "experimental" album, as in this release Kreator incorporated industrial music influences in their songwriting. [1] It is also the last album to feature original bassist Rob Fioretti.
Extreme Aggression is the fourth studio album by German thrash metal band Kreator released in 1989. While the band had already gained a sizeable following in the US due to their 1988 tour with the crossover thrash band D.R.I., this album introduced many American fans to Kreator, primarily through heavy rotation of the "Betrayer" music video on MTV's Headbangers Ball, which was partly shot at ...
A navigational box that can be placed at the bottom of articles. Template parameters [Edit template data] Parameter Description Type Status State state The initial visibility of the navbox Suggested values collapsed expanded autocollapse String suggested Template transclusions Transclusion maintenance Check completeness of transclusions The above documentation is transcluded from Template ...
Gods of Violence is the fourteenth studio album by German thrash metal band Kreator, released on 27 January 2017. [ 1 ] [ 2 ] This is Kreator's final studio album with bassist Christian "Speesy" Giesler before his departure from the band in 2019.
Hordes of Chaos is the twelfth studio album by German thrash metal band Kreator, released in 2009.. It has been described as their most organic album to date because, barring vocals, guitar solos and some melodies, the album was recorded in a live setting on an analog tape recorder with few overdubs.