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The concept of the voce faringea offers an answer to this question. Tenors of this musical period were trained to strengthen and modify the falsetto into a more virile and powerful vocal quality. The resulting sound was considered homogenous with that of the lower register and no longer perceived as a falsetto timbre. This register mechanism ...
Falsetto (/ f ɔː l ˈ s ɛ t oʊ, f ɒ l-/ fawl-SET-oh, fol-, Italian:; Italian diminutive of falso, "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave.
Falsetto: In Estill Voice Training terminology, the term falsetto has a meaning distinct from falsetto as a male vocal register in Western classical terminology. This quality is produced with stiff vocal fold body cover, neutral/mid larynx position, and aspirate vocal fold onset.
Falsettone is a term used in modern Italian musicology to describe a vocal technique used by male opera singers in the past, in which the fluty sounds typical of falsetto singing are amplified by using the same singing technique used in the modal voice register.
The falsetto register lies above the modal voice register and overlaps the modal register by approximately one octave. The characteristic sound of falsetto is flute-like with few overtones present. The essential difference between the modal and falsetto registers lies in the amount and type of vocal cord involvement. The falsetto voice is ...
The lower part of the whistle register may overlap the upper parts of the modal and falsetto registers, making it possible for singers to phonate these notes in different ways. However, fundamentally, the whistle register is most commonly used to produce pitches above D 6. As with the other vocal registers, the whistle register does not begin ...
This year's Grammy field is dominated by queens of pop, but there were some surprises in the nominations too.
Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers.The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only ...