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Bourgeois existence was a world of interior space, heavily curtained off and wary of intrusion, and opened only by invitation for viewing on occasions such as parties or teas. " The essential, unknowability of each individual, and society's collaboration in the maintenance of a façade behind which lurked innumerable mysteries, were the themes ...
Victorian morality is a distillation of the moral ... who helped to create a space free from the pollution and corruption of the city. ... the English bourgeois ...
The Modern French word bourgeois (/ ˈ b ʊər ʒ w ɑː / ⓘ BOORZH-wah or / b ʊər ˈ ʒ w ɑː / ⓘ boorzh-WAH, French: ⓘ) derived from the Old French borgeis or borjois ('town dweller'), which derived from bourg ('market town'), from the Old Frankish burg ('town'); in other European languages, the etymologic derivations include the Middle English burgeis, the Middle Dutch burgher, the ...
The era can also be understood in a more extensive sense—the 'long Victorian era'—as a period that possessed sensibilities and characteristics distinct from the periods adjacent to it, [note 1] in which case it is sometimes dated to begin before Victoria's accession—typically from the passage of or agitation for (during the 1830s) the ...
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did ...
Austrian Biedermeier sofa, c. 1815–1825, mahogany, upholstery (not original), Montreal Museum of Fine Arts (Montreal, Canada) The Biedermeier period was an era in Central European art and culture between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities.
In ordinary times, the petite bourgeoisie seek to identify themselves with the haute bourgeoisie, whose bourgeois morality, conduct and lifestyle they aspire and strive to imitate. [1] The term, which goes as far back as the Revolutionary period in France, if not earlier, is politico-economic and addresses historical materialism.
By reversing concepts of the Victorian master-servant relationship, by rewriting stereotypings of the Victorian dandy to include Black masculinities, and by positioning his dandy figure as a noble man who is the leader of his social circle, Shonibare uses neo-Victorianism as a genre to interrogate and counter normative historical narratives and ...