Search results
Results from the WOW.Com Content Network
Gino Severini, 1910–11, La Modiste (The Milliner), oil on canvas, 64.8 x 48.3 cm, Philadelphia Museum of Art Severini was born into a poor family in Cortona , Italy. His father was a junior court official and his mother a dressmaker.
Gino Severini, 1912, Dancer at Pigalle, oil and sequins on sculpted gesso on artist's canvasboard, 69.2 x 49.8 cm, Baltimore Museum of Art.jpg 1,948 × 2,767; 3.24 MB Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin (detail).jpg 653 × 700; 74 KB
Cubism contributed to the formation of Italian Futurism's artistic style. [13] Severini was the first to come into contact with Cubism, and following a visit to Paris in 1911, the Futurist painters adopted the methods of the Cubists. Cubism offered them a means of analyzing energy in paintings and expressing dynamism.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
File: Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.), Museum of Modern Art, New York.jpg: Gino
File: Gino Severini, 1910-11, La Modiste (The Milliner), oil on canvas, 64.8 x 48.3 cm, Philadelphia Museum of Art.jpg
Gino Severini, 1913, La danse de l'ours au Moulin Rouge, oil on canvas, 100 x 73.5 cm, Musée National d'Art Moderne, Paris Source composite: RMN and . Date 1913 Author Gino Severini. Permission (Reusing this file) See below.
File: Gino Severini, 1912, Dynamism of a Dancer, oil on canvas, 60 x 45 cm, Jucker Collection, Pinacoteca di Brera, Milan.jpg