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In act 3, scene 2, Bassanio finally reaches Belmont, and Portia urges him to wait before choosing between the three caskets that determine if he gets to marry her. Bassanio reasons through his choices and decides to choose the casket of lead because it is a humble choice.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
Thus, scene two is a variation on a single note, B ♮, which is heard continuously in the scene, and the only note heard in the powerful orchestral crescendos at the end of act 3, scene 2. Scene 3 is a variation on a rhythmic pattern, with every major thematic element constructed around this pattern.
"Between you and I" occurs in act 3, scene 2, of The Merchant of Venice, in a letter written in prose by Antonio, the titular character, to his friend Bassanio: [4] [5] "Sweet Bassanio, ... all debts are cleared between you and I if I might but see you at my death." [6]
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
A drawing of Puck, Titania and Bottom in A Midsummer Night's Dream from Act III, Scene II by Charles Buchel, 1905 Meanwhile, Quince and his band of five labourers ("rude mechanicals ", as Puck describes them) have arranged to perform their play about Pyramus and Thisbe for Theseus's wedding and venture into the forest, near Titania's bower ...
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