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This is the discography of all the singles and albums released by Motown singing group the Four Tops.. Throughout their career, 24 of their singles reached the top 40 of the Billboard Hot 100 with seven of them reaching the top ten and two reaching number one on the chart.
The Four Tops Greatest Hits is a greatest hits album by the Four Tops, released in August 1967. It peaked at No. 4 on the Billboard albums chart in the United States, remaining on the chart for 73 weeks, and is the first Motown album to reach No. 1 in Britain. It spent one week at the top of the UK Albums Chart in 1968.
The Four Tops are an American vocal group formed in Detroit, Michigan in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame.
The disc contains all but three of the Top 40 hits on the Billboard Hot 100 enjoyed by the Four Tops and released on the Motown Records imprint. Four of the tracks included were b-sides — "I Got A Feeling," "If You Don't Want My Love," "I'll Turn to Stone," and "Sad Souvenirs" — "I Got A Feeling" being the flip to "Bernadette," and "Sad Souvenirs" the flip to "I Can't Help Myself."
Four Tops is the 1965 self-titled debut studio album by the American vocal group the Four Tops. The album was produced and mostly written by the Motown's main writing/producing team Holland-Dozier-Holland. Four Tops includes the singles "Baby I Need Your Loving" , "Without the One You Love (Life's Not Worth While)", and "Ask the Lonely".
With the Four Tops, Fakir was a voice on a vast litany of hits through the decades, including some of the defining songs of the 1960s, such as the Top 10 successes “I Can’t Help Myself (Sugar ...
Topics about Four Tops songs in general should be placed in relevant topic categories Pages in category "Four Tops songs" The following 37 pages are in this category ...
A review in Billboard recommends this album to retailers as a "super set" with "stunning live performances". [1] Editors at AllMusic Guide scored this release 2.5 out of five stars, with reviewer Andrew Hamilton praising the "crack sound system" for the recording and opining that several of the live versions rival their studio recordings in quality.
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