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The production filmed in Kent, at Rochester, which is the setting for "The Pardoner's Tale" and features the castle, Cathedral, Chertsey Gate, the High Street, Esplanade, and various streets, pubs, and restaurants. Gravesend is the setting in "The Sea Captain's Tale", where old waterfront warehouses, the pier, and Town Pier Square feature.
The Pardoner's confession is similar to that of the Wife of Bath in that there is a revelation of details buried within the prologue. Chaucer describes the Pardoner as an excellent speaker in his portrait of the character in the General Prologue to The Canterbury Tales, which inherently reflects the quality of the narrative attributed to him.
The Pardoner delivers his tale. He begins with a rambling confession about his own avarice: "I preach against greed – the sin I commit every day". The tale ends with the Pardoner hocking his pardons for exorbitant prices after which the offended Host threats to castrate the Pardoner but the two eventually kiss and make up.
The Summoner uses the tale to satirise friars in general, with their long sermonising and their tendency to live well despite vows of poverty. It reflects on the theme of clerical corruption, a common one within The Canterbury Tales and within the wider 14th-century world as seen by the Lollard movement.
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A Knight's Tale is a 2001 American medieval action comedy film [5] [6] written, co-produced and directed by Brian Helgeland.The film stars Heath Ledger as William Thatcher, a peasant squire who poses as a knight and competes in tournaments, winning accolades and acquiring friendships with such historical figures as Edward the Black Prince (James Purefoy) and Geoffrey Chaucer (Paul Bettany).
The tale itself continues in the denigration of summoners with its vivid description of the work of a summoner. This includes bribery, corruption, extortion and a network of pimps and wenches acting as informants making this important clerical office seem more like a 14th-century protection racket .
A trope is an element of film semiotics and connects between denotation and connotation.Films reproduce tropes of other arts and also make tropes of their own. [6] George Bluestone wrote in Novels Into Film that in producing adaptations, film tropes are "enormously limited" compared to literary tropes.