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Zwetschgenkuchen, Pflaumenkuchen (German: [ˈp͡flaʊ̯mənˌkuːxn̩] ⓘ), Zwetschgendatschi (southern Bavaria) or Zwetschgenplootz is a sheet cake made from yeast dough, shortcrust dough, or cake batter that is thinly spread onto a baking sheet and covered with pitted zwetschgen plums (also called Italian plums) before being baked.
2.0 was released in about 6900 screens in India and over 2000 screens overseas. [136] On its opening day, 2.0 earned about ₹ 80 crore (US$11.7 million) gross collection in India (all versions), which was the second highest ever for an Indian film after Baahubali 2: The Conclusion (2017)'s ₹ 154 crore (US$23.65 million). [137]
The Net 2.0 is a 2006 direct-to-video mystery thriller film written and produced by Rob Cowan and directed by Charles Winkler.It is nominally a sequel to the 1995 film The Net directed by his father Irwin Winkler (who produced this film), but has a separate and unrelated plot.
Faust 2.0 is a Swedish horror anthology film produced by NjutaFilms. It's a modern spin on the story of Faust, the premise being that people accept the End-user license agreement of iPhone application without reading it through, allowing the Devil to easier trick people into selling their souls for mundane needs.
Searchers 2.0 is a 2007 Western road film directed by Alex Cox. It stars Del Zamora and Ed Pansullo. [ 1 ] Described by Cox as a "microfeature," it was shot on digital video in 10 days for a budget of $180,000.
Marriage 2.0 (also known as Marriage 2.0: A Modern Love Story) [1] is a 2015 adult romance film depicting the first steps of a married couple into a open relationship.It was written and produced by Magnus Sullivan and directed by Paul Deeb.
Nasi Lemak 2.0 (Chinese: 辣死你媽 2.0) is a Malaysian comedy film directed by and starring rapper Wee Meng Chee, known more by his stage name Namewee.The sequel, Nasi Lemak 1.0 was released 11 years later on 27 January 2022.
Genesis 2.0 is a documentary film made by Swiss director and producer Christian Frei [2] and Russian filmmaker Maxim Abugaev. The feature-length film was released in January 2018 in the World Cinema Documentary section at the Sundance Film Festival .