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Zwetschgenkuchen, Pflaumenkuchen (German: [ˈp͡flaʊ̯mənˌkuːxn̩] ⓘ), Zwetschgendatschi (southern Bavaria) or Zwetschgenplootz is a sheet cake made from yeast dough, shortcrust dough, or cake batter that is thinly spread onto a baking sheet and covered with pitted zwetschgen plums (also called Italian plums) before being baked.
In some versions, the plums may become jam-like inside the cake after cooking, [2] or the cake may be prepared using plum jam. [3] Plum cake prepared with plums is also a part of Ashkenazi Jewish cuisine, and is referred to as Pflaumenkuchen or Zwetschgenkuchen. [4] [5] [6] Other plum-based cakes are found in French, Italian and Polish cooking.
The film would also have a limited IMAX engagement beginning January 3, 2025. [54] It was featured in the Limelight section of the 54th International Film Festival Rotterdam to be screened in February 2025. [55] The film had its theatrical preview in Paris on January 15, 2025. [56] It was released in the rest of France on January 29, 2025. [57]
Julianne Nicholson (born July 1, 1971) [1] is an American actress. She is known for her roles in the film August: Osage County (2013) and the television series Law & Order: Criminal Intent (2006–2009), Masters of Sex (2013–2014), Eyewitness (2016), and Mare of Easttown (2021), the last of which earned her a Primetime Emmy Award.
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Jodie Lee Ann Sweetin (born January 19, 1982) [1] [2] is an American actress and television personality. She is best known for her role as Stephanie Tanner in the ABC comedy series Full House and its Netflix sequel series Fuller House .
Amour (pronounced; French: "Love") is a 2012 drama film written and directed by Michael Haneke, starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert.The narrative focuses on an elderly couple, Anne and Georges, who are retired music teachers with a daughter who lives abroad.
$4.9 million [2] To Paint or Make Love ( French : Peindre ou faire l'amour ) is a 2005 French film directed by Arnaud and Jean-Marie Larrieu . The film was nominated for the Palme d'Or at the 2005 Cannes Film Festival .