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KZOK-FM (102.5 MHz) is a commercial radio station located in Seattle, Washington. It airs a classic rock radio format and is owned by iHeartMedia, Inc. KZOK's transmitter is located near Issaquah, Washington , on Tiger Mountain , and operates from studios in Seattle in the Belltown neighborhood northwest of Downtown .
Steve Slaton (born January 16, 1953) is an American rock and roll disc jockey and music director.He is best known as an on-air personality for Seattle radio station 102.5 KZOK-FM and, formerly, 99.9 KISW-FM. [1]
KIOT (102.5 FM, "Coyote 102.5") is an American radio station licensed to Los Lunas, New Mexico, and serving the Albuquerque and Santa Fe radio markets broadcasting a classic rock format with music from the late 1960s through the early 2000s.
KEZK-FM (102.5 MHz) is a commercial radio station licensed to St. Louis, Missouri.It broadcasts an adult contemporary radio format and is owned by Audacy, Inc. [2] From mid-November through the Christmas holiday, KEZK switches to an all-Christmas music format.
The new format kicked off with a 102-day music marathon playing over 41,000 songs in a row. WMYI enjoyed success with the popular "Love and Hudson Morning Show." During the mid to late 1990s, the station, while still successful, had slipped in the Arbitron ratings , but enjoyed a return to the top of the ratings by 2006.
KPZK-FM (102.5 MHz, better known locally as Praise 102.5 FM) plays a gospel format in the Little Rock metropolitan area.It is under ownership of The Last Bastion Station Trust, LLC.
WRFY-FM (102.5 MHz) is a commercial radio station in Reading, Pennsylvania, calling itself "Y102".The station is owned by iHeartMedia through licensee iHM Licenses, LLC, and broadcasts a hot adult contemporary radio format.
While Z-102 was successful in the smaller Tuscaloosa market, it did not make a big impact in Birmingham. Birmingham had two other Top 40 stations at the time (WAPI-FM/I-95 and WKXX/Kicks 106) and Gadsden's WQEN/Q-104 covered most of the market as well. WZBQ continued with its Top 40 format throughout the rest of the 1980s and into the early 1990s.