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Mary Rowlandson's memoir, A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, (1682) is a classic example of the genre. According to Nancy Armstrong and Leonard Tennenhouse, Rowlandson's captivity narrative was "one of the most popular captivity narratives on both sides of the Atlantic."
A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson (also known as The Sovereignty and Goodness of God) is a 1682 memoir written by Mary (White) Rowlandson, a married English colonist and mother who was captured in 1675 in an attack by Native Americans during King Philip's War. She was held by them for ransom for 11 weeks and 5 ...
Bianca Babb's unpublished memoir manuscript has received scholarly attention as a significant primary source captivity narrative. While the captivity narrative was a popular literary genre in 19th-century America, many examples were sensationalized accounts of questionable authenticity.
First edition (1682) title page of Rowlandson's narrative. Mary Rowlandson's autobiographical account of her kidnapping and ransom is considered a classic of the American captivity narrative genre. In it, she records how she witnessed the murder of her family and friends. Upon her capture, she traveled with her youngest child Sarah.
Narrative forms include: Autobiography – a detailed description or account of the storyteller's own life. Biography – a detailed description or account of someone's life. Captivity narrative – a story in which the protagonist is captured and describes their experience with the culture of their captors.
Captivity narratives are tales of Europeans and Americans of European descent held captive by non-European peoples. The narratives were often written by the former captives themselves, or through an amanuensis. Captivity narratives are related to slave narratives
Captivity and efforts to endure or escape it are popular themes in literature. The captivity narrative is a genre of stories about people being captured by "uncivilized" enemies. A famous example is the Babylonian captivity of Judah, as described in the Bible.
The development of slave narratives from autobiographical accounts to modern fictional works led to the establishment of slave narratives as a literary genre.This large rubric of this so-called "captivity literature" includes more generally "any account of the life, or a major portion of the life, of a fugitive or former slave, either written or orally related by the slave himself or herself". [4]