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  2. Color grading - Wikipedia

    en.wikipedia.org/wiki/Color_grading

    Color grading is one of the most labour intensive parts of video editing. Traditionally, color grading was done towards practical goals. For example, in the film Marianne, grading was used so that night scenes could be filmed more cheaply in daylight. Secondary color grading was originally used to establish color continuity; however, the trend ...

  3. Color balance - Wikipedia

    en.wikipedia.org/wiki/Color_balance

    The left half shows the photo as it came from the digital camera. The right half shows the photo adjusted to make a gray surface neutral in the same light. In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this ...

  4. Tint, shade and tone - Wikipedia

    en.wikipedia.org/wiki/Tint,_shade_and_tone

    Some tints and shades of blue. In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]

  5. ‘Wicked’s’ Color Grading Is Intended to ‘Immerse People Into ...

    www.aol.com/entertainment/wicked-color-grading...

    Eighty-five years after the release of “The Wizard of Oz,” director Jon M. Chu brings back this magical world to the big screen in “Wicked,” the film adaptation of the Broadway classic ...

  6. Impossible color - Wikipedia

    en.wikipedia.org/wiki/Impossible_color

    For example, to see "stygian blue": staring at bright yellow causes a dark blue afterimage, then on looking at black, the blue is seen as blue against the black, also as dark as the black. The color is not possible to achieve through normal vision, because the lack of incident light (in the black) prevents saturation of the blue/yellow ...

  7. Digital intermediate - Wikipedia

    en.wikipedia.org/wiki/Digital_intermediate

    Color grading is done by varying the amount of red, green, and blue light used to expose the intermediate. The digital intermediate process uses digital tools to color grade, which allows for much finer control of individual colors and areas of the image, and allows for the adjustment of image structure (grain, sharpness, etc.).

  8. Academy Color Encoding System - Wikipedia

    en.wikipedia.org/wiki/Academy_Color_Encoding_System

    What sets them apart is that instead of a scene-linear transfer encoding, ACEScc and ACEScct use logarithmic curves, which makes them better suited to color-grading. The grading workflow has traditionally used log encoded image data, in large part as the physical film used in cinematography has a logarithmic response to light.

  9. Lightfastness - Wikipedia

    en.wikipedia.org/wiki/Lightfastness

    This leads to better lightfastness even though the printing ink used in both methods would be based on the same pigment. [7] When mixing printing inks, the ink with the weaker lightfastness defines the lightfastness of the whole mixed color. The fading of one of the pigments leads to a tone shift towards the component with better lightfastness.