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A Weapon Called the Word is the debut album by English folk rock band the Levellers, released in 1990. [2] [3] The album contains re-recorded tracks from the band's first two E.P. recordings: Carry Me E.P. (upon which the tracks "Carry Me" and "England My Home" were originally released) and Outside/Inside E.P. (which contained "Outside/Inside", "Barrel of the Gun" and "I Have No Answers").
One Way of Life: The Very Best of The Levellers was released in September 1998. The album was a traditional "greatest hits" package of the hit singles, with two new songs, "Shadow on the Sun" and "Bozos". Additionally, "One Way" and "Carry Me" were re-recorded, and a re-mix of "Too Real" was included.
One Way of Life: Best of the Levellers (1998) Hello Pig (2000) Professional ratings; Review scores; Source ... "Carry Me" (New Version) "Fantasy" "Julie" (Single Version)
His piano playing was jet propulsion level, but also high virtuosity. His band’s live performances were joyous and transporting and in the mid-70s no one was bigger, no concert more coveted. BGJ
"Carry Me" 1989 — Non-album singles "Outside/Inside" — "World Freak Show" 1990 — A Weapon Called the Word "Together All the Way" — "One Way" 1991 51 Levelling the Land "Far from Home" 71 "Fifteen Years" 1992 11 Non-album single "Belaruse" 1993 12 Levellers "This Garden" 12 "Julie" 1994 17 "Hope St." 1995 12 Zeitgeist "Fantasy" 16 "Just ...
Zeitgeist is the fourth album by the Levellers.It was released in August 1995 and reached No. 1 in the UK album charts, making it the band's most successful album.Two singles were released from the album – "Hope St.", which reached No. 12 in the UK single charts, and "Fantasy", which reached 16.
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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