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Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
1271 – Amerus, Practica artis musicae. [5]1274 – Elias Salomo, Scientia artis musicae. [6]1279 – Anonymous of St Emmeram, De musica mensurata (Munich, Bayerische Staatsbibliothek, Cod. Lat. Mon. [Cim.] 14523), one of the two main treatises on the theory of Notre Dame polyphony.
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...
Duecento (UK: / ˌ dj uː ə ˈ tʃ ɛ n t oʊ /, [1] Italian: [ˌdu.eˈtʃɛnto] literally "two hundred") or Dugento [2] is the Italian word for the Italian culture of the 13th century - that is to say 1200 to 1299.
Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. [1] The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people ...
Until the 13th century, art in Italy was almost entirely regional, affected by external European and Eastern currents. After c. 1250 the art of the various regions developed characteristics in common, so that a certain unity, as well as great originality, is observable.
Dance with musicians, Tacuinum sanitatis casanatense (Lombardy, Italy, late 14th century) Sources for an understanding of dance in Europe in the Middle Ages are limited and fragmentary, being composed of some interesting depictions in paintings and illuminations, a few musical examples of what may be dances, and scattered allusions in literary texts.