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View of the Isenheim Altarpiece, Nikolaus Hagenauer and Matthias Grünewald, c 1512–1516. The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. [1] It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's ...
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
The Unterlinden Museum (French: Musée Unterlinden) is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a 1906 former public baths building, is home to the Isenheim Altarpiece by the German Renaissance painter Matthias Grünewald and features a large collection of local and international artworks and manufactured ...
Interior of the Isenheim Altarpiece (c. 1500), attributed to Nikolaus Hagenauer. Nikolaus Hagenauer (c. 1445/1460 — before 1538) was a German late gothic sculptor from Hagenau (Alsace in the Holy Roman Empire, present day France).
The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, [1] [2] inspired many creative figures in the early 20th century. The temptation of St. Anthony from the Isenheim Altarpiece. Hindemith completed the opera, writing his own libretto ...
[6] From 1512 to 1514 or 1515 he worked on the Isenheim altarpiece, apparently in partnership with another Mathis, variously surnamed Nithart, Neithart, von Würzburg (after his place of birth), or Gothardt. Grünewald seems to have left Isenheim in a hurry, returning to Frankfurt, and his subsequent poverty suggests he was not fully paid for ...
While earlier Northern artists showed Christ rising out of the tomb, but still with his feet on the ground, or the tomb itself, Matthias Grünewald's Isenheim Altarpiece (1505–1516) has a striking composition with Christ hovering in mid-air, which was already common in Italy, for example in a Raphael altarpiece of about 1500 (see gallery) and ...
Andachtsbilder (singular Andachtsbild, German for devotional image) is a German term often used in English in art history for Christian devotional images designed as aids for prayer or contemplation. The images "generally show holy figures extracted from a narrative context to form a highly focused, and often very emotionally powerful, vignette".