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Demon Music Group Limited (DMG; formerly Object Enterprises Limited from 1982–1991 and Music Collection International Limited from 1991–2000) [1] is a record company owned by BBC Studios that is mainly concerned with back-catalogue rights and re-issuing recordings as compilations on physical media (CDs and vinyl) via supermarkets and specialist stores.
The samples used vary, but the end result is a serving of hard gangsta funk for DMG to rap over. Lyrically, DMG fits right in with the hard core gangsta element that has made Rap-A-Lot the label it is. [2] [unreliable source?] Allmusic rated the album 3/5. [3] The album stayed in the "R&B/Hip-Hop Albums" for 20 weeks [4]
DMG TV, a music label belonging to Demon Music Group, focused on artist album projects; Dames Making Games, a Canadian non-profit organization that encourages the participation of women, non-binary, femme and queer people in the creation of video games; Davidson Media Group, an American radio station holding company; Diamante Music Group, a ...
I have shrunk. It's the "have". Just like drink/drank/drunk or stink/stank/stunk. - 75.133.80.44 18:54, 5 March 2009 (UTC) I came here wondering the same thing. In International English shrank is the past tense of shrink. Shrunk is the past participle. The past participle is the form used with have or had as in I have shrunk the t shirt.
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In 1997, Honey, We Shrunk Ourselves!, a straight-to-video film, marked Moranis' last live-action acting appearance (until now). Shrunk has no release date as of now. You Might Also Like
In response, a digital albums chart was launched in April 2006, alongside the OCC's decision to include downloads in the regular chart. [2] On 9 April 2006, English alternative rock band Embrace topped the first ever UK Album Downloads Chart with their fifth studio album This New Day, which sold around 1,200 digital copies. [3]
In a review for AllMusic, Steven McDonald opined that the combination of Crawford, the London Symphony Orchestra, and "some of the best songs ever written for stage and screen" would be expected "to produce a driving, dynamic album", but instead he described it as "wimpy and weak", and "prone to sub-Anthony Newley moments. [3]