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The Freewoman was an English feminist weekly review published between 23 November 1911 and 10 October 1912, and edited by founder Dora Marsden and Mary Gawthorpe. [ 1 ] Although The Freewoman published articles on women's work for wages, housework, motherhood, the suffrage movement , and literature, its notoriety and influence rested on its ...
Eliza Lynn Linton (10 February 1822 – 14 July 1898) was the first female salaried journalist in Britain and the author of over 20 novels. Despite her path-breaking role as an independent woman, many of her essays took a strong anti-feminist slant.
The articles indicated that the lyrics and videos of male and female rappers portrayed "independent women" differently. Using the concept of intersectionality, Moody's rhetorical analysis combined feminist and critical cultural theories to explore the meanings of the 'independent woman' in the lyrics and respective videos of male and female ...
Women like Sylvia Plath (1932–1963) and Anne Sexton (1928–1974) provided a feminist version of the Confessional Poets' poetics, which worked alongside feminist texts of the day, like Betty Friedan's The Feminine Mystique, to "address taboo subjects and social limitations that plagued American women" (although Plath died before The Feminine ...
Mary Hays (1759–1843) was an autodidact intellectual who published essays, poetry, novels and several works on famous (and infamous) women. She is remembered for her early feminism, and her close relations to dissenting and radical thinkers of her time including Robert Robinson, Mary Wollstonecraft, William Godwin and William Frend. [1]
While previous figures like Virginia Woolf and Simone de Beauvoir had already begun to review and evaluate the female image in literature, [2] and second-wave feminism had explored phallocentrism and sexism through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the ...
Prior to the release of the “Woman-Identified Woman” manifesto, the gay liberation and women’s liberation movements were primarily separated. Members of the Lavender Menace came from both the Gay Liberation Front and National Organization for Women and, prompting the formation of their own group, had experienced sexism and homophobia ...
Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.