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Totenkopf (German: [ˈtoːtn̩ˌkɔpf], i.e. skull, literally "dead person's head") is the German word for skull. The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible .
Técpatl (18th day sign of the Aztec calendar) (Image from the Codex Magliabechiano). In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends.
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
SS daggers were introduced in December 1933, following analogous traditions in the Reichswehr, the Luftwaffe, and Reichsmarine, and awarded to celebrate the final introduction of the SS-men into the Allgemeine SS, SS-Totenkopfverbände units, and SS-Verfügungstruppe (later known as the Waffen-SS) every year.
Since the mid-18th century, skull and crossbones symbols have been officially used in European militaries as badges on uniforms. One of the first regiments to adopt them was the friderizian Hussars in 1741, also known as the "Totenkopfhusaren." From this tradition, the skull became an important symbol in German and later international militaries.
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
The daggers are made entirely of steel with intricate motifs smoothly drawn. The handles are made of gold, rhino's horn or ivory carved with a depiction of human or demon; the carving works are exquisite and skillfully made. [20] This Chinese account also reported that public execution by stabbing using this type of dagger is common.
Taylor's method involves adhering tissue depth markers on an unidentified skull at various anthropological landmarks, then photographing the skull. Life-size or one-to-one frontal and lateral photographic prints are then used as a foundation for facial drawings done on transparent vellum.
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