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Totenkopf (German: [ˈtoːtn̩ˌkɔpf], i.e. skull, literally "dead person's head") is the German word for skull. The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible .
Tecpatl (sacrificial knife), image based on the Codex Borgia. In Aztec mythology, the tecpatl was sometimes drawn as a simple flint blade, sharpened with some notches on the edge, in the Codex Borgia it appears red.
Three variants of obelus glyphs. The dagger symbol originated from a variant of the obelus, originally depicted by a plain line − or a line with one or two dots ÷. [7] It represented an iron roasting spit, a dart, or the sharp end of a javelin, [8] symbolizing the skewering or cutting out of dubious matter.
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figure of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
The phurba (Tibetan: ཕུར་པ or ཕུར་བ, Wylie: phur pa or phur ba; alternate transliterations: phurpa, phurbu, purbha, or phurpu) [needs IPA] or kīla (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions.
the adult skull is normally made up of 22 bones. Except for the mandible, all of the bones of the skull are joined together by sutures, semi-rigid articulations formed by bony ossification, the presence of Sharpey's fibres permitting a little flexibility: Date: 4 January 2007: Source: made it myself: Author: LadyofHats Mariana Ruiz Villarreal ...
Cennino Cennini's Il Libro dell'Arte provides a window on the practice of silver and leadpoint drawing, as well as preparing metalpoint grounds, in the late 14th century. [2] [3] Susan Dorothea White's book Draw Like da Vinci describes the silverpoint technique of Leonardo da Vinci. [4] Medieval stylus Modern silverpoint stylus
Taylor's method involves adhering tissue depth markers on an unidentified skull at various anthropological landmarks, then photographing the skull. Life-size or one-to-one frontal and lateral photographic prints are then used as a foundation for facial drawings done on transparent vellum.