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Solo Piano (1989) is an album of piano music composed and performed by Philip Glass. It was produced by Kurt Munkacsi. It was produced by Kurt Munkacsi. The title of five of the seven tracks, "Metamorphosis", refers to and was inspired by the 1915 novella The Metamorphosis by Franz Kafka .
Dreaming Awake for piano (2003, written and recorded by Glass as a benefit for Jewel Heart) A Musical Portrait of Chuck Close, two movements for piano (2005, Etudes 11 and 12 of Volume 2) Etudes for piano, Volume 2 (1994 and 2012) Distant Figure – Passacaglia (2017) First Piano Sonata (2019) Prelude for Organ (2025)
Spanish Eyes, a 1930 British film directed by G. B. Samuelson "Spanish Eyes" (1965 song), a song variation of the composition "Moon Over Naples" "Spanish Eyes" (Backstreet Boys song) from the album Millennium "Spanish Eyes" (Madonna song) from the album Like a Prayer "Spanish Eyes" (U2 song) from the album The Joshua Tree, appeared as the third ...
Vocal versions of the song have been recorded as "Spanish Eyes" with lyrics by Eddie Snyder and Charles Singleton. The most notable of these was released by Al Martino , which topped Billboard ' s Easy Listening chart for 4 weeks in 1966.
Some parts of the soundtrack were composed by Philip Glass, including four pieces which appeared in his previous works (Powaqqatsi, Anima Mundi and Mishima, the opening movement from the latter of which appears over the end credits in The Truman Show). Glass also appears very briefly in the film as one of the in-studio composer/performers.
It features music written by Philip Glass and performed by, among others, Kronos Quartet. Sections from the soundtrack have been featured in other films and TV shows, including the piece 'Mishima / Opening', which was used to score the end credits of Peter Weir's 1998 film The Truman Show in addition to an appearance on an episode of Mr. Robot.
The piece is scored for solo piano, accompanied by string orchestra. Several recordings of the concerto have been made. The concerto is in three movements, the middle being the longest. An analysis by musicologist student Wilhelm Delport in 2015 rediscovered that the first and third movements borrow heavily from a Tyrolean Volkslied named ...
Although Philip Glass dislikes the term "minimalist," most of his work is categorized that way by the public; the Piano Concerto No. 2 is an example of a break from minimalism, in accordance with the composer's opinion of his own music (which he calls "classicist").
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