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In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts" [2] or "very similar rhythm" as would be used in simple hymn or chorale settings. [3] Homorhythm is a condition of homophony. [2] All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture.
The rhythmic unison in all the parts makes this passage an example of homorhythm. In music, homophony ( / h ə ˈ m ɒ f ( ə ) n iː , h oʊ -/ ; [ 1 ] [ 2 ] , Greek: ὁμόφωνος, homóphōnos , from ὁμός, homós , "same" and φωνή, phōnē , "sound, tone") is a texture in which a primary part is supported by one or more ...
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
Introduction to Sousa's "Washington Post March", mm. 1–7 features octave doubling [1] and a homorhythmic texture.. In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece.
Two pitches that are the same or two that move as one. [2]Unison or perfect unison (also called a prime, or perfect prime) [3] may refer to the (pseudo-) interval formed by a tone and its duplication (in German, Unisono, Einklang, or Prime), for example C–C, as differentiated from the second, C–D, etc.
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1]
Metric levels: beat level shown in middle with division levels above and multiple levels below. In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level). [2]