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Backside view of a violin. Flame maple (tiger maple), also known as flamed maple, curly maple, ripple maple, fiddleback or tiger stripe, is a feature of maple in which the growth of the wood fibers is distorted in an undulating chatoyant pattern, producing wavy lines known as "flames".
Fiddleback may refer to: Fiddleback chasuble , a Christian liturgical vestment Fiddleback maple , a particular grain of maple wood used for musical instruments
Quilt or quilted maple refers to a type of figure in maple wood. It is seen on the tangential plane ( flat-sawn ) and looks like a wavy "quilted" pattern, often similar to ripples on water. The highest quality quilted figure is found in the Western Big Leaf species of maple. [ 1 ]
This sturdier guitar was less likely to be returned to Gibson for warranty work, but its volume was reduced and tone negatively affected. [3] In 1985 Gibson's new owners began to address the quality issues that were affecting the company's products and reputation. [4] By 1992 production of Gibson acoustic guitars was shifted to Bozeman, Montana.
Tiger is a custom-built guitar owned by Grateful Dead guitarist Jerry Garcia. Garcia commissioned luthier Doug Irwin to design and build the guitar in 1973 following delivery of Wolf, his first major Irwin-built guitar. Upon commissioning the instrument, Garcia asked Irwin to "make it the way he thought was best, and don't hold back."
Edwards designed and recently sold his own custom guitar, the HitchHiker, a hybrid of the best elements of the Fender Telecaster and Mosrite guitars. The HitchHiker features a sloped-back tilt headstock, a neck-through-body with swamp ash and quilted maple, zero fret, gold control plates, Seymour Duncan humbuckers with split coils, and an ebony ...
Early romantic guitar (Paris around 1830) by Jean-Nicolas Grobert (1794–1869). *String scale-length: 635 mm. Instrument top shows signatures of Paganini and Berlioz.The guitar was loaned to Paganini by Jean-Baptiste Vuillaume in 1838 and later given by Vuillaume to Berlioz, [1] who later donated it to the Musée du Conservatoire de musique in 1866.
At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...
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