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During World War II private comic book companies displayed their patriotism and support of the war effort through American superheroes. Paralleling the actions by comic book companies, the U.S. government took independent initiatives to create comics in support of the U.S. military. Comic books became increasing popular during the war for ...
The 99 is a comic book series created by Naif Al-Mutawa and his comic book company, AK Comics in Egypt. The superheroes are based upon Islamic religion and culture, although the heroes do not identify themselves as Muslim. The comic premiered in 2006 but has grown so well that it is translated into nine languages. [30]
The Federal Trade Commission Act (FTC Act): The FTC Act prohibits companies from engaging in unfair or deceptive practices, including those related to in-app purchases. These practices include failing to clearly disclose the costs of purchases, making it difficult for consumers to cancel purchases, and encouraging mass spending. [1]
Government comics include informational material produced in comic book-format by governments and their affiliated bodies. These works fulfill a wide variety of purposes often seen in government publications, primarily educating the public about government programs or lifestyle choices the government wants to encourage.
The Comics Code seal. The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA enabled comic publishers to self-regulate the content of comic books in the United States. The code was voluntary, as there was no law requiring its use, although some ...
The Comic Book Legal Defense Fund began as a means to pay for the legal defense of Friendly Frank's comic shop manager Michael Correa, who was arrested in 1986 on charges of distributing obscenity. [8] [9] The comic books deemed obscene were Omaha the Cat Dancer, The Bodyssey, Weirdo, and Bizarre Sex.
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The Creator's Bill of Rights (officially, A Bill of Rights for Comics Creators) is a document drafted in November 1988 by a number of independent comic book artists, writers, and publishers, designed to protect their rights as creators and publishers and oppose exploitation by corporate work for hire practices and the power of distributors to dictate the means of distribution.