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The Paradiesgärtlein (Garden of Paradise) is a panel painting created around 1410 by an unknown painter referred to as Upper Rhenish Master. It belongs to the Mary in the rose bower type. The Paradiesgärtlein is one of the earliest paintings to naturalistically depict flora and fauna.
The most famous painting of the artist is Paradiesgärtlein (Little Garden of Paradise), a mixed-technique painting on oakwood, 26.3 x 33.4 cm, now in the Städel Museum (on permanent loan from the Historical museum in Frankfurt since 1922). [2] The painting is the Städel's most famous example of the old German school. [3]
'The "Mary Garden" (Paradiesgärtlein) by an unknown Rhenish master in the early 15th century is at once an exemplary hortus conclusus and a telling record of late medieval gardening practices.' – The Garden: Visions of Paradise. Excerpted from the caption for the painting found on pp. 40–41 as a double-page spread illustration.
Expulsion from Paradise, painting by James Tissot (c. 1896–1902) The Expulsion illustrated in the English Junius manuscript, c. 1000 CE. The second part of the Genesis creation narrative, Genesis 2:4–3:24, opens with YHWH-Elohim (translated here "the Lord God") [a] creating the first man (), whom he placed in a garden that he planted "eastward in Eden": [22]
The painting will be auctioned on Nov. 20 in Toronto, with its value estimated at $100,000 to $200,000. Canadian painter Emily Carr’s artwork will be sold at auction. Facebook
Adam and Eve in the Garden of Eden (Spanish: Adán y Eva en el Jardín del Edén) is a panel painting by Flemish Baroque painter Jan Brueghel the Younger. Created in the 17th century, it is now held in the collection of the Bank of the Republic and exhibited at the Miguel Urrutia Art Museum (MAMU), in Bogotá .
The Garden of Eden with the Fall of Man or The Earthly Paradise with the Fall of Adam and Eve (ca. 1615) is a painting by Peter Paul Rubens (figures) and Jan Brueghel the Elder (flora and fauna). It is housed in the Mauritshuis art museum in The Hague, Netherlands.
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