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Hans Hofmann, Pompeii, oil on canvas, 84.25” x 52.25", 1959. Hofmann's art is generally distinguished by its rigorous concern with pictorial structure and unity, development of spatial illusion through the "push and pull" of color, shape and placement, and use of bold, often primary color for expressive means. [4]
An artifact [a] or artefact (British English) is a general term for an item made or given shape by humans, such as a tool or a work of art, especially an object of archaeological interest. [1] In archaeology , the word has become a term of particular nuance; it is defined as an object recovered by archaeological endeavor, including cultural ...
Heinrich Hofmann grew up in a family that harbored a deep interest in art. His father, advocate Heinrich Karl Hofmann (1795–1845) painted in watercolors, his mother Sophie Hofmann, née Volhard (1798–1854) gave lessons in art before she married, and his four brothers all showed artistic talent.
Artifact (archaeology), an object formed by humans, particularly one of interest to archaeologists Cultural artifact, in the social sciences, anything created by humans which gives information about the culture of its creator and users
Edmund Gustav Albrecht Husserl (/ ˈ h ʊ s ɜːr l / HUUSS-url, [14] US also / ˈ h ʊ s ər əl / HUUSS-ər-əl; [15] German: [ˈɛtmʊnt ˈhʊsɐl]; [16] 8 April 1859 – 27 April 1938 [17]) was an Austrian-German philosopher and mathematician who established the school of phenomenology.
Fragment of the Antikythera mechanism, a mechanical computer from the 2nd century BCE showing a previously unknown level of complexity. An out-of-place artifact (OOPArt or oopart) is an artifact of historical, archaeological, or paleontological interest to someone that is claimed to have been found in an unusual context, which someone claims to challenge conventional historical chronology by ...
Maria Tumarkin describes Hofmann's review writing as "masterful" and "convention-eviscerating". [19] Philip Oltermann remarks on the "savagery" with which Hofmann "can wield a hatchet", stating (with reference to Hofmann's antipathy towards Stefan Zweig) that: "Like a Soho drunk stumbling into the National Portrait Gallery in search of a good scrap, Hofmann has battered posthumous reputations ...
George C. Homans was born in Boston on August 11, 1910, and grew up in a little house in Cambridge, Massachusetts, the son of Robert Homans and Abigail Adams-Homans. [1] He was a direct descendant of American Presidents John Adams and John Quincy Adams , on his mother's side.