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This was the first time the British Museum had lent part of its Parthenon Marbles collection and it caused some controversy. [140] The British Museum states that it is open to lending its marbles from the Parthenon to Greece but the Greek government does not wish to agree to the standard clause acknowledging the British Museum's ownership of ...
Imperial Spoils: The Curious Case of the Elgin Marbles is a 1987 book by Christopher Hitchens on the controversy surrounding the removal by Thomas Bruce, 7th Earl of Elgin of the Parthenon's sculptured friezes (which became known as the Elgin Marbles), and his subsequent sale of the Marbles to the British Museum.
The Elgin Marbles were created between 447 and 432 B.C. as architectural decor for the Parthenon—the temple of the Greek goddess Athena—on the Acropolis in Athens.
Hunt testified to the Parliamentary committee on the Elgin Marbles on 13 March 1816. [40] The committee's report contained a translation (via Italian) of the second firman. [41] [42] The Italian original is extant. [17] Hunt's testimony was that the interpretation by the vaivode of the second firman was the basis for the removals of marbles. [43]
The Elgin Marbles is a 2006 book by American archaeologist Dorothy King about the 5th century BCE Classical Greek marble sculptures known as the Elgin Marbles.. The book is credited by The Sunday Times with "reigniting" the controversy over possession of the Elgin marbles by defending the right of the British Museum in London to retain them in the face of demands by the government of Greece ...
The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes. (A flute is the concave shaft carved into the column form.) The roof was covered with large overlapping marble tiles known as imbrices and tegulae. [66] [67] The Parthenon is regarded as the finest example of Greek architecture.
Mikon, a Greek man (potentially a shepherd) from the 6 th century BC, may have left us the ultimate clue to an unknown temple that once filled the space now occupied by the great Parthenon.And ...
Its history has been a series of good intentions marred by the occasional cock-up, and the 1930s cleaning was such a cock-up." [ 11 ] Jenkins conceded that cleaning conducted in the 1930s by the Museum was a mistake (they used wire wool), but also claimed that the damage was being exaggerated for political reasons.