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The common opossum (Didelphis marsupialis), also called the southern or black-eared opossum [2] or gambá, and sometimes called a possum, is a marsupial species living from the northeast of Mexico to Bolivia (reaching the coast of the South Pacific Ocean to the central coast of Peru), including Trinidad and Tobago and the Windwards in the Caribbean, [2] where it is called manicou. [3]
This is a list of the mammal species recorded in Guyana.This list is derived from the IUCN Red List which lists species of mammals and includes those mammals that have recently been classified as extinct (since 1500 AD).
The Guianan white-eared opossum (Didelphis imperfecta) is an opossum species from South America.It is found in Brazil, Venezuela, Guyana, Suriname, and French Guiana. [2] ...
The best country Christmas songs run the gamut from nostalgic, ... We'll pass on the possum stew, but indulge in giggling at these lyrics. Related: Religious Christmas Songs. 21. Suzy Bogguss ...
A traditional method of preparation is baking, sometimes in a pie or pastry, [64] though at present "possum pie" most often refers to a sweet confection containing no meat of any kind. [65] Around the turn of the 20th century, the opossum was the subject of numerous songs, including "Carve dat Possum", a minstrel song written in 1875 by Sam ...
Jeff Holdsworth is a musician who was a founding member of the rock band Phish. [1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar.
A new setting of the song "Mungojerrie and Rumpleteazer" was also written for the original Broadway production, in which the song was sung by Mr. Mistoffelees, while the actors playing Coricopat (Rene Clemente) and Etcetera (Christine Langner) danced the song as "dolls" made of junk, brought to life, and appearing out of the boot (trunk) of a ...
Carve dat possum, carve him to de heart. [2] The song, as published by Lucas, is in 2/4 time. Although the song was first performed by Lucas, The Pacific Appeal (San Francisco, October 25, 1879) notes that "it was only after a long epistolary discussion that Henry Hart (musician) obtained a public acknowledgement that he was the genuine author."