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"Free" is a song written by Robert Lamm as a part of the "Travel Suite" for the rock band Chicago and recorded for their third album Chicago III (1971), with Terry Kath singing lead vocals. It was the first single released from this album, and peaked at #20 on the U.S. Billboard Hot 100. [2]
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
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Mike Stahl said the new arrangements gave the song a whole new "feeling" and "sparkle". [5] Cash Box said it has " aggressive horns, high riding vocals, tight and melodic structure and a bright optimism." [6] Record World said that the song "rocks stronger than previous [Chicago] releases with the guitar work and Cetera's lead vocals of prime ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Feelin' Stronger Every Day" is a song written by Peter Cetera and James Pankow for the group Chicago and recorded for their album Chicago VI (1973). The first single released from that album, it reached #10 on the U.S. Billboard Hot 100. [1]
Loughnane was the last original Chicago member to receive a songwriting credit. According to Cetera, though, he needed some help. "I tried to help Lee Loughnane with a song," Cetera says, "and that song turned out to be 'Call On Me.' Lee had written a song. It wasn't called, 'Call On Me,' it was called something else, and it in fact was terrible.
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