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The history of Nero's reign is problematic in that no historical sources survived that were contemporary with Nero. These first histories, while they still existed, were described as biased and fantastical, either overly critical or praising of Nero. [137] The original sources were also said to contradict on a number of events. [138]
Nero was the fifth and final emperor of Rome's first imperial dynasty, the Julio-Claudians. The Nero Redivivus legend was a belief popular during the last part of the 1st century that the Roman emperor Nero would return after his death in 68 AD. The legend was a common belief as late as the 5th century. [1]
The theatre was used by Nero for rehearsals of his subsequent public singing performances in the theatre of Pompey and was large enough to satisfy his vanity when filled with people. [4] Suetonius writes that during the Neronia festival the emperor promised to exhibit himself in hortis ("in the gardens"), an indirect reference to his theatre. [5]
I, Claudius: Nero is depicted prior to the death of his predecessor, Emperor Claudius; Gyles, Mary Francis. 1947. "Nero Fiddled While Rome Burned." The Classical Journal: explores the history behind the legend of Nero playing the fiddle as Rome burned. Wishart, David. 1996. Nero: Nero's reign seen through the eyes of Titus Petronius. Massie ...
Nero had Sporus castrated, [a] and during their marriage, Nero had Sporus appear in public as his wife wearing the regalia that was customary for Roman empresses. He then took Sporus to Greece and back to Rome, making Calvia Crispinilla serve as "mistress of the wardrobe" to Sporus, ἐπιτροπεία τὴν περὶ ἐσθῆτα ...
Some wished to replace Nero with a better emperor; others wished to be free of emperors altogether, and to restore a purely republican form of government. [ citation needed ] The conspiracy was put in jeopardy by a woman named Epicharis , who divulged parts of the plan to Volusius Proculus, commanding a fleet in Misenum . [ 3 ]
Location of the Colossus (in red near the center) on a map of Rome. The Colossus of Nero (Colossus Neronis) was a 30-metre (98 ft) bronze statue that the Emperor Nero (37–68 AD) created in the vestibule of his Domus Aurea, the imperial villa complex which spanned a large area from the north side of the Palatine Hill, across the Velian ridge to the Esquiline Hill in Rome.
In Italy, the Babau is also called l'uomo nero or "black man". In Italy, he is portrayed as a tall man wearing a heavy black coat, with a black hood or hat which hides his face. Sometimes, parents will knock loudly under the table, pretending that someone is knocking at the door, and say something like: "Here comes l'uomo nero! He must know ...