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The same process also affects stressed front and back vowels in hiatus if they are antepenultimate (in the third-to-last syllable of a word). When /j/ is produced, primary stress shifts to the following vowel, but when /w/ is produced, primary stress shifts instead to the preceding syllable, as in /fiːˈliolus, teˈnueram/ > /fiːˈljolus ...
In other words, a language develops a new system of oppositions among its phonemes. Old contrasts may disappear, new ones may emerge, or they may simply be rearranged. [1] Sound change may be an impetus for changes in the phonological structures of a language (and likewise, phonological change may sway the process of sound change). [1]
The change of /k/ to in y gath is thus caused by the syntax of the phrase, not by the modern phonological position of the consonant /k/. The opposite of lenition, fortition , a sound change that makes a consonant "stronger", is less common, but Breton and Cornish have "hard mutation" forms which represent fortition.
In historical linguistics, a sound change is a change in the pronunciation of a language. A sound change can involve the replacement of one speech sound (or, more generally, one phonetic feature value) by a different one (called phonetic change) or a more general change to the speech sounds that exist (phonological change), such as the merger of two sounds or the creation of a new sound.
Some languages have harmony processes that involve an interaction between vowels and consonants. For example, Chilcotin has a phonological process known as vowel flattening (i.e. post-velar harmony) where vowels must harmonize with uvular and pharyngealized consonants. Chilcotin has two classes of vowels: "flat" vowels [ᵊi, e, ᵊɪ, o, ɔ ...
In medial syllables, short /æ, a, e/ are deleted; [17] short /i, u/ are deleted following a long syllable but usually remain following a short syllable (except in some present-tense verb forms), merging to /e/ in the process; and long vowels are shortened. /ø, øː/ are unrounded to /e, eː/, respectively. This occurred within the literary ...
In this view, phonology is based on a set of universal phonological processes that interact with one another; those that are active and those that are suppressed is language-specific. Rather than acting on segments, phonological processes act on distinctive features within prosodic groups. Prosodic groups can be as small as a part of a syllable ...
This process is common across languages and can happen within a word or between words. For example, in English "handbag" ( / ˈ h æ n d b æ ɡ / ), the [n] often shifts to [ m ] in rapid speech , becoming / ˈ h æ m b æ ɡ / , because [ m ] and [ b ] are both bilabial (produced with both lips ), and their places of articulation are similar.