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The recordings made by Williamson between 1937 and his death in 1948 and those made later by Rice Miller were all originally issued under the name Sonny Boy Williamson. It is believed that Miller adopted the name to deceive audiences (and his first record label) into thinking that he was the "original" Sonny Boy. [5]
The recordings made by John Lee Williamson between 1937 and his death in 1948 and those made between 1951 and 1964 by "Rice" Miller were all originally issued under the name Sonny Boy Williamson. It is believed that Miller adopted the name to suggest to audiences (and to his first record label) that he was the "original" Sonny Boy. [ 19 ]
Down and Out Blues is the first LP record by American blues musician Sonny Boy Williamson.The album was released in 1959 by Checker Records (see 1959 in music).. The album was a compilation of Williamson's first singles for Checker, from "Don't Start Me to Talkin'" b/w "All My Love in Vain" through "Dissatisfied" b/w "Cross My Heart".
Sonny Boy Williamson may refer to either of the two 20th-century American blues harmonica players, who both recorded in Chicago: Sonny Boy Williamson I (1914–1948), born John Lee Curtis Williamson Sonny Boy Williamson II ( c. 1912 –1965), born Alex Ford; known as Aleck "Rice" Miller, among other names
After Trumpet Records folded, on August 12, 1955, Sonny Boy Williamson II had his first recording session for Checker Records. "Don't Start Me Talkin'" was recorded at these sessions. [3] Backing Williamson (vocals and harmonica) were Otis Spann on piano, Muddy Waters and Jimmy Rogers on guitar, Willie Dixon on bass, and Fred Below on drums. [2 ...
The song was recorded on January 11, 1963, by Williamson on vocal and harmonica, backed by Lafayette Leake or Billy Emerson on organ, Matt Murphy on guitar, Milton Rector on bass, and Al Duncan on drums. [3] "Bye Bye Bird" is included on several Sonny Boy Williamson compilation albums, such as More Real Folk Blues (1967) and His Best (1997). [4]
Guitarist Dickey Betts sets up the Sonny Boy Williamson boogie vamp, while Duane Allman comes in over the top with bottleneck slide guitar part, after which vocalist Gregg Allman narrates the drama of the song. Betts takes a solo, Gregg instructs the audience "Ahh, put your hands together," and Duane Allman and Betts trade guitar licks.
In 1937, John Lee "Sonny Boy" Williamson recorded the song as "Got the Bottle Up and Go" (or "Got Bottle Up & Gone"). [4] It was performed as an early Chicago blues with Williamson on vocal and harmonica, accompanied by Big Joe Williams and Robert Lee McCoy (later known as Robert Nighthawk) on guitars.
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