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Harry Sinclair Lewis (February 7, 1885 – January 10, 1951) was an American novelist, short-story writer, and playwright. In 1930, he became the first author from the United States (and the first from the Americas) to receive the Nobel Prize in Literature, which was awarded "for his vigorous and graphic art of description and his ability to create, with wit and humor, new types of characters."
The Man Who Knew Coolidge is a 1928 satirical novel by Sinclair Lewis. It features the return of several characters from Lewis' previous works, including George Babbitt and Elmer Gantry. Additionally, it sees a return to the familiar territory of Lewis' fictional American city of Zenith, in the state of Winnemac.
It Can't Happen Here is a 1935 dystopian political novel by the American author Sinclair Lewis. [1] Set in a fictionalized version of the 1930s United States, it follows an American politician, Berzelius "Buzz" Windrip, who quickly rises to power to become the country's first outright dictator (in allusion to Adolf Hitler's rise to power in Nazi Germany), and Doremus Jessup, a newspaper editor ...
From a critical perspective, Free Air is consistent with Sinclair Lewis's lean towards egalitarian politics, which he displays in his other works (most notably in It Can't Happen Here). Examples of his politics in Free Air are found in Lewis's emphasis on the heroic role played by the book's protagonist, Milt Dagget, a working-class everyman type.
The Rise of Sinclair Lewis, 1920–1930. University Park: Penn State University Press, 1996. [full citation needed] Lingeman, Richard R. Sinclair Lewis: Rebel from Main Street, Minnesota Historical Society Press, 2005, ISBN 978-0-87351-541-2. [full citation needed] Schorer, Mark Sinclair Lewis: An American Life, 1961, McGraw-Hill. OCLC 288825.
Earlier on in his career, Lewis had reconnected with a childhood friend, Edward Francis Murphy, a priest who was a member of the Josephites (a Catholic society that specifically works with African Americans). Via this connection, Lewis learned of the intricacies of the black community in the United States, leading directly to his creation of ...
The Nation said that it was "a story of the ordinary, with an individuality which atones for a certain slowness in pace" and predicted "more telling works in the future." [ 4 ] The American Review of Reviews said "The tired business man will find just the right antidote for weariness in 'Our Mr. Wrenn'."
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