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The song was written in 1950 by Jerry Livingston and lyricist Mack David. The song was sung by Brewer in the role of a singer, who appears through a red curtain line of dancing girls and commences the lyrics: "Baby, Baby, Baby love me love me do, Baby, Baby, Baby love me love true." The song reached No. 12 in the US hit parade in December 1953. [1]
Young's manager Elliot Mazer suggested adding three older songs to the album - "Come On Baby Let's Go Downtown" as well as "Borrowed Tune" and "Lookout Joe." [5] [13] With those three songs added, Young eventually decided to release the Tonight's the Night album in 1975, instead of Homegrown, which he had recently recorded. [13] "Come On Baby ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music.
Billy Murray's 1916 recording has lyrics as follows: Verse 1. You ask me why I'm always teasing you. You hate to have me call you "Pretty Baby." I really thought that I was pleasing you, For you're just a baby to me. Your cunning little dimples and your baby stare, Your baby talk and baby walk and curly hair, Your baby smile Makes life worthwhile.
"Baby (You've Got What It Takes)" is a 1950s song written by Clyde Otis and Murray Stein. Originally titled " You've Got What It Takes ", the song was first recorded by Brook Benton 's sister, [ 1 ] Dorothy Pay, in 1958, as the B-side of her single "Strollin' with My Baby" on Mercury 71277.
The song's popularity also led to at least three follow-up songs. Tubb released "My Filipino Rose" in 1949. [20] Copas released "New Filipino Baby" in 1961 on the Starday label. [21] In 1963, Robert E. Lee and His Travelers released "Son of the Filipino Baby" on the Sage & Sand label. [22]
In 1987 a claymation music video was produced for "My Baby Just Cares for Me" by Aardman Animations [11] and directed by Peter Lord. The video prominently features live action footage showing details of a piano, brushes on a snare drum, and a double bass as they play the song. The two focal characters are represented by a singing cat in a club ...
Due to the song's relative obscurity and the fact that the lyrics that Sheridan sang are almost entirely different from Reed's version, the song was mistitled at first as "If You Love Me, Baby" (even being credited as traditional without authorship on early German [3] and British [4] pressings).