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Originally from Seattle, [1] Coss is one of only a few female band leaders in the Jazz field. [2] [3] By the age of six or seven, she was taking piano lessons and composing music. [4] At the age of nine she took up saxophone in her elementary school's band and by the age of eleven she was listening to jazz and playing in the jazz band at school.
Richard Malden Heckstall-Smith (26 September 1934 – 17 December 2004) was an English jazz and blues saxophonist. [1] He played with some of the most influential English blues rock and jazz fusion bands of the 1960s and 1970s. He is known for primarily playing tenor, soprano, and baritone saxophones, as well as piano, clarinet and alto saxophone.
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
Roscoe Mitchell (born August 3, 1940) [1] is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". [2] The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; [ 3 ] All About Jazz stated in 2004 that he had been "at the forefront of ...
In 2006 Smith began working with musicians outside the jazz community. He wrote horn arrangements for Josh Ottum's Like The Season and Aqueduct's, Or Give Me Death. [2] In 2008 he joined the Seattle indie-pop band Throw Me the Statue, playing bass, keyboards, saxophone, and writing horn arrangements. [3]
Jazz critic Leonard Feather described Peagler as "an exciting, extrovert saxophonist who lent color to every band he played in, from Ray Charles in the 1960s to Count Basie in the ‘70s." [6] James Nadal referred to him as "a solid, hard working sax man whose performance and recording resume was quite impressive." [2]
Ten years later he was named best composer and best tenor saxophonist in the Critics' Poll at DownBeat magazine. [2] A critic at NPR picked his album Victory ( Sunnyside , 2011) for the number three spot in the top twenty albums of 2011. [ 3 ]
In 1981, he performed at the Woodstock Jazz Festival to celebrate the tenth anniversary of the Creative Music Studio. [52] [53] In 1994, Braxton was awarded a MacArthur Fellowship. [5] During the 1990s and early 2000s, Braxton created a large body of jazz standard recordings, often featuring him as a pianist rather than saxophonist. [54]
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