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The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
The original words as published in “The Spiritual Magazine” in August 1761. Jesus Christ the Apple Tree lyrics in an 1897 republication of 1797 printing Jesus Christ the Apple Tree (also known as Apple Tree and, in its early publications, as Christ Compared to an Apple-tree ) is a poem, possibly intended for use as a carol , written in the ...
The gradual (Latin: graduale or responsorium graduale) is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin gradus (meaning "step") because it was once chanted on the step of the ambo or altar. [1]
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Phos Hilaron is to be sung at the lighting of lamps in the evening and so is sometimes known as the “Lamp-lighting Hymn”. Despite some of the words to the other three songs being from Scripture or in one case dated to around 150, Phos Hilaron is the first to be considered an actual hymn in the modern sense. It is certainly the first ...
In 1974, Pope Paul VI presented the document as a “minimum repertoire of Gregorian chant”, [1] for use of the faithful. In promulgating the hymnal, the Congregation for Divine Worship stated the book would be “extremely useful if the faithful learn the chants contained in the volume, as the Pope and the Congregation for Divine Worship intend.” [2]
[6] [7] Rarely separated from the lyrics since then, [1] [3] it has been noted as one of the composer's finest and shares resemblances with a 16th-century Lutheran chorale, "Wachet auf, ruft uns die Stimme" by Philipp Nicolai. [3] It is a good example of Victorian hymn tune writing, with "solid harmonies and subtle chromaticism."