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1400: Bernardo Martorell – Spanish painter, working in a late gothic style (died 1452) 1400: Luca della Robbia – Italian sculptor from Florence, noted for his terracotta roundels (died 1482) 1400: Filarete – Florentine Renaissance architect, sculptor and architectural theorist (died 1469)
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
Quattrocento art shed the decorative mosaics typically associated with Byzantine art along with Christian and Gothic media, as well as styles in stained glass, frescoes, illuminated manuscripts and sculpture. Instead, Quattrocento artists incorporated the more classic forms developed by classical Roman and Greek art.
On 18 January 2010, an hour-long special of The Culture Show on BBC2 was dedicated to the launch of the project. [11] The first part of the series was broadcast on weekdays over six weeks between 18 January and 26 February 2010. After a short break, the series returned with the seventh week being broadcast in the week beginning 17 May 2010. [12]
Conveniently, 1400 and 1500 work fairly well as dates to mark significant changes in style, with key turning points being the competition for designs for the doors of the Florence Baptistery, announced in late 1400, [15] and Michelangelo's Pietà, completed in 1499, and his David, begun in 1501. [16]
At the end of the 15th century, Andrea Sansovino went to work for King John II of Portugal; there seems to have been a feeling that the Italians, with their almost exclusive monopoly on ancient art, also possessed the gift of what was right in art. [50] A focus of humanism on the model of the Italian courts was created around the court of John III.
The arts of the indigenous people of the Americas had an enormous impact and influence on European art and vice versa during and after the Age of Exploration. Spain, Portugal, France, The Netherlands and England were all powerful and influential colonial powers in the Americas during and after the 15th century.
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