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  2. Twelve Apostles in art - Wikipedia

    en.wikipedia.org/wiki/Twelve_Apostles_in_art

    However most religious conventional art depictions of the apostles have been restricted to devotional work within church settings. Other contemporary instalments of the apostles are often subversive and political. The Last Supper art exhibition in Brooklyn was created with "aims to fill the dearth of Black female voices at the metaphorical ...

  3. Catholic art - Wikipedia

    en.wikipedia.org/wiki/Catholic_art

    Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.

  4. Divine Mercy image - Wikipedia

    en.wikipedia.org/wiki/Divine_Mercy_image

    Hyła's version of the Divine Mercy image has been recognised and is used throughout the Roman Catholic Church. Another painting of the Divine Mercy was made by Adolf Hyła as a votive offering . In painting the picture, Hyła expressed his gratitude for the survival of his family during World War II .

  5. Madonna (art) - Wikipedia

    en.wikipedia.org/wiki/Madonna_(art)

    The earliest surviving image in a Western illuminated manuscript of the Madonna and Child comes from the Book of Kells of about 800 [19] (there is a similar carved image on the lid of St Cuthbert's coffin of 698) and, though magnificently decorated in the style of Insular art, the drawing of the figures can only be described as rather crude ...

  6. Transfiguration of Jesus in Christian art - Wikipedia

    en.wikipedia.org/wiki/Transfiguration_of_Jesus...

    The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of the event. Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted.

  7. Depiction of Jesus - Wikipedia

    en.wikipedia.org/wiki/Depiction_of_Jesus

    A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4; Hellemo, Geir. Adventus Domini: eschatological thought in 4th-century apses and catecheses. Brill; 1989. ISBN 978-90-04-08836-8. Schiller, Gertrud. Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0 ...

  8. A Huguenot, on St. Bartholomew's Day - Wikipedia

    en.wikipedia.org/wiki/A_Huguenot,_on_St...

    A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period.

  9. Holy Spirit in Christian art - Wikipedia

    en.wikipedia.org/wiki/Holy_Spirit_in_Christian_art

    The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]

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