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A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated. An accidental can also be used to cancel a previous accidental or reinstate the flats or sharps of the key signature.
These contain either flats or sharps, but not both, and the different key signatures add flats or sharps according to the order shown in the circle of fifths. Each major and minor key has an associated key signature, showing up to seven flats or seven sharps, that indicates the notes used in its scale.
Flat The flat symbol lowers the pitch of a note by one semitone. Sharp The sharp symbol raises the pitch of a note by one semitone. Natural A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature. Double flat A double flat lowers the pitch of a note by two semitones. Double ...
The order of sharps in key signature notation is F ♯, C ♯, G ♯, D ♯, A ♯, E ♯, B ♯. Starting with no sharps or flats (C major), adding the first sharp (F ♯) indicates G major, adding the next (C ♯) indicates D major, and so on through the circle of fifths.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
F ♭, C ♭, E ♯, B ♯, and most notes inflected by double-flats and double-sharps correspond in pitch with natural notes but are regarded as enharmonic equivalents of the natural note. The natural sign is derived from a square b used to denote B ♮ in medieval music (in contrast with the round b denoting B ♭ , which became the flat symbol).
Starting with no sharps or flats (C major), adding the first flat (B ♭) indicates F major; adding the next (E ♭) indicates B ♭ major, and so on, backwards through the circle of fifths. Some keys (such as C ♭ major with seven flats) may be written as an enharmonically equivalent key (B major with five sharps in this case). In rare cases ...
6 flats 14 F# minor: 3 sharps 15 G major: 1 sharp 16 G minor: 2 flats 17 A♭ major: 4 flats 18 Either G# minor: 5 sharps Alkan wrote a piece in A♭ minor, and Brahms a fugue in this key, but most composers have preferred G# minor. or A♭ minor: 7 flats 19 A major: 3 sharps 20 A minor: No sharps or flats 21 B♭ major: 2 flats 22 Either B ...