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It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album. "Thousand" was listed in Guinness World Records for having the second fastest tempo in beats-per-minute (BPM) of any released single, peaking at approximately 1,015 BPM.
The use of paper imperfections was suggested by fast techniques in painting.Cage recounts that using the I Ching was always a very slow process. In 1952 a dancer (probably Jo Anne Melcher, the dedicatee of Music for Piano 1) made a request for a piece of music which was needed urgently, and Cage had to find a way to speed up the process:
In its most standard form, shout music is characterized by very fast tempo, chromatic basslines and piano/organ chords, snare hits and hand claps on the upbeat of each beat. The organist typically plays dominant 7 chords while improvising over riffs, while the pianist typically plays counter rhythms to the established rhythmic structure.
For example, if a song says 'medium shuffle', the drummer plays a shuffle drum pattern; if it says 'fast boogie-woogie', the piano player plays a boogie-woogie bassline. 'Show tempo', a term used since the early days of vaudeville, describes the traditionally brisk tempo (usually 160–170 bpm) of opening songs in stage revues and musicals.
The Well-Tuned Piano: La Monte Young: 5-6 hours Premiered and recorded by the composer. [14] The History of Photography in Sound: Michael Finnissy: 5½ hours 365 (edition) [15] [16] A3 Premiered and recorded by Ian Pace. [15] [17] Performed by Mark Knoop. [18] Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours
With “Fast 9” opening this weekend, another selection of tunes has been added to the “Fast and Furious” franchise. ... anthem was the perfect accompaniment to the very 2000s animated end ...
In the liner notes for the very first recording of his most highly acclaimed work for prepared piano, Sonatas and Interludes, Cage wrote: "Composing for the prepared piano is not a criticism of the instrument. I'm only being practical." [1] This article presents a complete list of Cage's works for prepared piano, with comments on each ...
The song is basically a rock and roll song. A steady 4/4 beat drives the song, accompanied by guitar solo and bass that follows the piano pattern. The studio version features a heavy load of synthesizers, giving the song a more 'updated' feel than the original demo, which was more piano-driven.
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