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The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and ...
As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, which begins Ancient Greek pottery proper. [citation needed] The rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period.
Greek pottery may be divided into four broad categories, given here with common types: [1] storage and transport vessels, including the amphora, pithos, pelike, hydria, stamnos, pyxis, mixing vessels, mainly for symposia or male drinking parties, including the krater, dinos, and kyathos,
The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by Athens and produced, in Attica and Central Greece, between roughly 1025 and 900 BCE, [1] [2] [3] during the Greek Dark Ages. [4] It was succeeded by the Early Geometric period. Earlier studies considered the beginning of this style around 1050 BCE. [5] [6]
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. The exterior of kraters often depicted scenes from Greek life, such as the Attic Late 1 Krater, which was made between 760 and 735 B.C.E.
Black-glazed pottery was produced especially in the Classical and Hellenistic periods. During the reducing phase of the three-phase firing sintering of the iron-rich "clay paint" led to a shiny black glaze. Such pottery was produced both on the potter's wheel or impressed in pre-shaped matrixes. The glaze, originally in the form of a fine ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Ancient Greek: μελανόμορφα, romanized: melanómorpha), is one of the styles of painting on antique Greek vases.